Bull Man斗牛士“I paint what I see and not what it pleases others to see.” What other words than these of Édouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best define the Impressionist movement?
【作品信息】
■文件名: Impressionism
■语言:英语
■编号：C911
■格式：PDF
■页数：200
■文件大小：182MB
■默认阅读器：Adobe Reader阅读器
■简介：“I paint what I see and not what it pleases others to see.” What other words than these of Édouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best define the Impressionist movement? Without a doubt, this singularity was explained when, shortly before his death, Claude Monet wrote: “I remain sorry to have been the cause of the name given to a group the majority of which did not have anything Impressionist.”
In this work, Nathalia Brodskaïa examines the contradictions of this late 19th-century movement through the paradox of a group who, while forming a coherent ensemble, favoured the affirmation of artistic individuals. Between academic art and the birth of modern, non-figurative painting, the road to recognition was long. Analysing the founding elements of the movement, the author follows, through the works of each of the artists, how the demand for individuality gave rise to modern painting.
目录
Preface 7
The Impressionists and Academic Painting 9
The First Impressionist Exhibition 13
Édouard Manet 29
Claude Monet 61
Pierre Auguste Renoir 101
Alfred Sisley 135
Camille Pissarro 147
Edgar Degas 165
Berthe Morisot 187
Bibliography 194
Index 195
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未经允许不得转载：Bull Man斗牛士 » 印象派艺术画册-Impressionism
